➔ Exhibition text (PDF)
➔ Press images (ZIP)
Berenice Olmedo (*1987) often focuses on the most rejected and vulnerable in society—whether stray dogs or physically impaired humans. Extending this concern, in one of her first European solo exhibitions, the Mexican artist conceives a new project that generates form from investigations into various technological enhancements of the body.
Press clippings:
Berenice Olmedo – Kapitalismus und Knieschmerz, Kunstbulletin (09/2022)
Die Verwundbarkeit macht den Menschen aus, Basler Zeitung (08/2022)
Berenice Olmedo: Hic et Nunc. Jenseits der Norm, artline (07/2022)
Plädoyer fürs Unperfekte, Badische Zeitung (07/2022)
Berenice Olmedo: The Myth of Autonomy, Flash Art (06/2022)
Berenice Olmedo pushes the boundary of what we consider to be a body, ARTnews (06/2022)
Der Reiz der Imperfektion: In der Kunsthalle Basel tanzen die Würmer, bzBasel (06/2022)